blog.magoni

(Fonte: napalmsmell)

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titoli di testa at their best

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Tag:

(Fonte: maudit)

| 395 note |
zuppadivetro:

alltherestistreason:

Egon Schiele, aged fifteen





http://i141.photobucket.com/albums/r52/badideasinmyhead/blog/egon_schiele_16.jpg

zuppadivetro:

alltherestistreason:

Egon Schiele, aged fifteen

(via madonnaddolorata)

| 635 note |
okkultmotionpictures:

Coming Sun | Italian Summer Under The Rain.
>|<

okkultmotionpictures:

Coming Sun | Italian Summer Under The Rain.

>|<

(via maninthebottle)

| 31 note |
| 1 nota |
Tag:

elouarn:

Brassens par
David Prudhomme

| 7 note |
palacemagazine:

Georges Brassens by Philippe Le Tellier. 1961.

palacemagazine:

Georges Brassens by Philippe Le Tellier. 1961.

| 9 note |
fulgenciopimentel:

BRASSENS por Joann Sfar, muy pronto en Fulgencio Pimentel http://fulgenciopimentel.com/libros/brassens-la-libertad

fulgenciopimentel:

BRASSENS por Joann Sfar, muy pronto en Fulgencio Pimentel

| 13 note |

ozu-teapot:

Persona - Ingmar Bergman - 1966

Bibi Andersson

(via communicants)

| 222 note |
Batman Returns, Tim Burton

Batman Returns, Tim Burton

| 7 note |
Tag:

(Fonte: 140point48)

| 33 note |

(Fonte: giphy.com)

| 29 note |
Tag:
maudit:

"A form of cinematic punctuation very strongly identified with Kurosawa is the wipe. This effect is created through an optical printer, in which, when a scene ends, a line or bar appears to move across the screen, “wiping” away the image while simultaneously revealing the first image of the subsequent scene. In Rashomon the use of the wipe emphasizes motion in traveling shots, marking narrative shifts and marking temporal ellipses between actions.” (x)

maudit:

"A form of cinematic punctuation very strongly identified with Kurosawa is the wipe. This effect is created through an optical printer, in which, when a scene ends, a line or bar appears to move across the screen, “wiping” away the image while simultaneously revealing the first image of the subsequent scene. In Rashomon the use of the wipe emphasizes motion in traveling shots, marking narrative shifts and marking temporal ellipses between actions.” (x)

| 195 note |
movieposteroftheday:

Six-sheet poster for ONE, TWO, THREE (Billy Wilder, USA, 1961)
Designer: Saul Bass (1920-1996) [see also]
Poster source: Heritage Auctions
This enormous poster (nearly 7 feet square) is signed by Bass and up for auction at Heritage today.

movieposteroftheday:

Six-sheet poster for ONE, TWO, THREE (Billy Wilder, USA, 1961)

Designer: Saul Bass (1920-1996) [see also]

Poster source: Heritage Auctions

This enormous poster (nearly 7 feet square) is signed by Bass and up for auction at Heritage today.

| 270 note |